Bachelor of Music–BMus 360 points Qualification regulations
View qualification detailsEntry Requirements
University Entrance or alternative admission type.
General Requirements
1. The course of study for the BMus shall consist of courses worth at least 360 points, of which at least 180 points shall be for courses numbered 201–399, with a minimum of 75 CMPO, MUSC, and/or PERF points at 300 level.
2. All candidates wishing to enrol in the Classical Performance and Jazz majors must apply for audition not later than the date specified by the New Zealand School of Music—Te Kōkī.
3. A candidate shall, to the satisfaction of the Head of School of the New Zealand School of Music—Te Kōkī, complete such practical work as may be prescribed and participate in approved vocal or instrumental work within the School.
Major subject requirements
4. The personal course of study of each candidate shall satisfy the requirements for at least one of these majors.
Classical Performance (PERF)
(a) PERF 101, PERF 102, PERF 105, PERF 106, MUSC 130, MUSC 166, MUSC 167
(b) PERF 201, PERF 202, PERF 205, PERF 206, MUSC 266, and one of MUSC 200–259
(c) PERF 301, PERF 302, PERF 305, PERF 306, and one of MUSC 300–359
Instrumental/Vocal Composition (INVC)
(a) CMPO 101, CMPO 130, one course from MUSC 100–159, and two from MUSC 164–167
(b) CMPO 201, CMPO 232, one course from MUSC 200–259, and two from MUSC 260–269
(c) CMPO 301, two courses from CMPO 302–389, and one from MUSC 300–359
(d) One course from PERF 100–399
For a specialisation in Film Scoring (FLMS), students must include the following courses: CMPO 186, MUSC 247, MUSC 268, CMPO 305, CMPO 332, and one from FILM 100–399.
Note: The specialisation in Film Scoring is only available to students taking the Instrumental/Vocal Composition major.
Jazz Performance (JAZZ)
(a) PERF 101, PERF 102, PERF 105, PERF 106, MUSC 125, MUSC 164, MUSC 165
(b) PERF 205, PERF 206, PERF 211, PERF 212, MUSC 264, and one of MUSC 200–259
(c) PERF 305, PERF 306, PERF 311, PERF 312, and one of MUSC 300–359
Music Studies (MUST)
(a) 20 points from MUSC 164–166; 40 points from MUSC 100–159, 20 further points from MUSC 120–174; and any 100-level PERF or CMPO course
(b) 40 points from MUSC 200–259, and 40 further MUSC, PERF or CMPO points at 200 level
(c) 40 points from MUSC 300–359, and 40 further MUSC, PERF, or CMPO points at 300 level.
Digital Music and Audio Production (DMAP)
(a) CMPO 101, two courses from CMPO 180–189, one from MUSC 100–159 and one from MUSC 164–169
(b) CMPO 210; two courses from CMPO 280–289, and one from MUSC 200–259
(c) CMPO 310, CMPO 385; 20 points from CMPO 380–389, 20 points from MUSC 300–359
(d) One course from PERF 100–399.
5. Notwithstanding Rule 2 in section 6.2 in the General Programmes of Study Regulations, BMus students may use courses from CMPO 305–309 and MUSC 320–359 to satisfy the requirements of both the Instrumental/Vocal Composition and the Digital Music and Audio Production majors, provided at least 40 points at 300 level are credited solely to each major.
Minor requirements
6. A candidate may obtain a minor in the BMus by meeting the requirements for one or more of the following subjects:
Composition (CMPM)—CMPO 201, CMPO 232, CMPO 301, and one of CMPO 302–389
Digital Music and Audio Production (DMAP)— Two courses from (CMPO 210, CMPO 285, CMPO 286) and two courses from (CMPO 310, CMPO 385, CMPO 386, CMPO 387)
Performance (PRFM)—60 points from PERF 200–399, including at least 15 points from PERF 300–399
Popular Music Studies (POPS)—at least 60 points from (MUSC 202, MUSC 247, MUSC 248, MUSC 249, MUSC 302, MUSC 343, MUSC 349, MDIA 205, MDIA 305), including at least 15 points at 300 level.
Note 1: Students taking the POPS minor as part of a degree other than the Bachelor of Popular Music Studies are required to take MDIA 205 as part of the 60 points
Note 2: The Digital Music and Audio Production (DMAP) minor is not available to a BMus student majoring in Digital Music and Audio Production.
Note 3: The Composition minor is not available to a BMus student majoring in Instrumental/Vocal Composition.
Note 4: The Performance minor is not available to a BMus student majoring in either Classical Performance or Jazz Performance.
Note 5: Section 3.7 of the General Programmes of Study Regulations allows students in some other degrees to take the Digital Music and Audio Production (DMAP) minor.
Note 6: Section 6.2 of the General Programmes of Study Regulations prevents any 300-level course being counted towards both a major and a minor.
Conjoint requirements
7. The overall course of study for a candidate for a conjoint programme involving the BMus and another Te Herenga Waka—Victoria University of Wellington degree shall satisfy the requirements in sections 1 to 4 of these regulations and section 6.3.2 of the General Programmes of Study Regulations.
Courses
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 101
Introduction to Composition, Digital Music and Film Scoring
|
15 | ||
|
CMPO 103
Songwriting
|
(P) portfolio of 2 original songs | 15 | |
|
CMPO 130
Introduction to Writing for Orchestral Instruments
|
15 | ||
|
CMPO 185
Digital Music Foundations
|
15 | ||
|
CMPO 186
Audio Production and Music Technology Foundations
|
15 | ||
|
MUSC 120
Popular Music: An Introduction
|
20 | ||
|
MUSC 125
Introduction to Jazz: Histories and Cultures of a Black American Music
|
20 | ||
|
MUSC 130
Hildegard to Avant Garde: Introduction to Western Art Music
|
20 | ||
|
MUSC 150
Music in Global Contexts
|
20 | ||
|
MUSC 160
Introduction to Music Theory and Musicianship
|
(X) MUSC 164, 166 | 20 | |
|
MUSC 164
Jazz Theory/ Musicianship 1
|
(P) Approved theory qualification, or entrance test, or B or better in MUSC 160 | 20 | |
|
MUSC 165
Jazz Theory/ Musicianship 2
|
(P) MUSC 164 | 20 | |
|
MUSC 166
Classical Theory/ Musicianship 1
|
(P) Approved theory qualification, or entrance test, or B or better in MUSC 160 | 20 | |
|
MUSC 167
Classical Theory/Musicianship 2
|
(P) MUSC 166 | 20 | |
|
PERF 101
Performance Principal Study 1A
|
(P) audition; (X) PERF 120, 121, 130 | 20 | |
|
PERF 102
Performance Principal Study 1B
|
(P) PERF 101, or audition; (X) PERF 120, 121, 130 | 20 | |
|
PERF 105
Performance Skills 1A
|
(P) one of PERF 101, 102, 106, or audition; (X) PERF 122, 132, 133, 134, 136 | 10 | |
|
PERF 106
Performance Skills 1B
|
(P) one of PERF 101, 102, 105 or audition; (X) PERF 122, 132, 133, 134, 136 | 10 | |
|
PERF 165
Project in Performance 1A
|
(P) audition | 15 | |
|
PERF 166
Project in Performance 1B
|
(P) audition | 15 | |
|
PERF 167
Project in Performance 1C
|
(P) audition | 10 |
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 201
Projects in Composition (Classical/Jazz)
|
(P) either (MUSC 164 and MUSC 165) or (CMPO 101 and 130); (X) CMPO 220 | 15 | |
|
CMPO 203
Songwriting as Composition
|
(P) CMPO 103 | 20 | |
|
CMPO 210
Electronic Music and Sound Design
|
(P) One of CMPO 101, 186, or entry by portfolio | 15 | |
|
CMPO 232
Composing/Arranging for Small Ensembles (Classical/Jazz)
|
(P) CMPO 130 or MUSC 164; (X) CMPO 230, 235 | 15 | |
|
CMPO 285
Digital Music and Interaction
|
(P) CMPO 185 | 15 | |
|
CMPO 286
Audio Production and Recording
|
(P) CMPO 186 | 15 | |
|
FHSS 211
Directed Individual Study
|
15 | ||
|
MDIA 205
Popular Music Studies
|
(P) 20 pts from (MDIA 100-109, MUSC 105-150, POPM 101) | 20 | |
|
MUSC 202
Music, Gender, and Sexuality / Ngā Puoro, ngā Tuakiri ā-ia me ngā Hōkakatanga
|
(P) 40 pts; (X) MUSC 302 | 20 | |
|
MUSC 229
Jazz, Race, Gender, and the Nation-State
|
(P) 20 pts from MUSC 105–150; (X) MUSC 329 | 20 | |
|
MUSC 230
Topic in Music History
|
(P) 20 pts from MUSC 105–150; (X) MUSC 331 in 2024, 2026 | 20 | |
|
MUSC 245
Western Art Music 1900–2000: New Sound Worlds
|
(P) 20 pts from MUSC 105-150 | 20 | |
|
MUSC 247
Film Music
|
(P) 40 pts | 20 | |
|
MUSC 248
Popular Music Perspectives
|
(P) 40 pts | 20 | |
|
MUSC 264
Jazz Theory/ Musicianship 3
|
(P) MUSC 165 | 20 | |
|
MUSC 266
Classical Theory/Musicianshp 3
|
(P) MUSC 167 | 20 | |
|
MUSC 268
Harmony in late-Romantic Music and Western Film Scores
|
(P) One of MUSC 167, 264, 266 | 20 | |
|
MUSC 269
Encountering Sound: Analysis, Critique and Theories of Aural Experience
|
(P) at least 15 100-level pts | 20 | |
|
PERF 201
Classical Performance Principal Study 2A
|
(P) PERF 101, 102; (X) PERF 230 | 20 | |
|
PERF 202
Classical Performance Principal Study 2B
|
(P) PERF 101, 102; (X) PERF 230 | 20 | |
|
PERF 205
Performance Skills 2A
|
(P) PERF 105 & 106, or audition; (X) PERF 222, 232-236 | 15 | |
|
PERF 206
Performance Skills 2B
|
(P) PERF 105 & 106, or audition; (X) PERF 222, 232-236 | 15 | |
|
PERF 208
Performance Extended Skills 2B
|
(P) PERF 101 & 102, or audition (for latin/fusion); or two of MUSC 166, 167, 266 (for conducting); (X) PERF 210, 223, 224 | 10 | |
|
PERF 211
Jazz Performance Principal Study 2A
|
(P) PERF 101, 102; (X) PERF 220, 221 | 20 | |
|
PERF 212
Jazz Performance Principal Study 2B
|
(P) PERF 101, 102; (X) PERF 220, 221 | 20 | |
|
PERF 255
Performance in Ethnomusicology
|
(P) 40 100-level points; (X) PERF 151, 250, 251, 252 | 15 | |
|
PERF 265
Intermediate Project in Performance 2A
|
(P) Audition | 15 | |
|
PERF 266
Intermediate Project in Performance 2B
|
(P) Audition | 15 |
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 301
Advanced Projects in Composition (Classical/Jazz)
|
(P) CMPO 201 and one of CMPO 230–235 | 20 | |
|
CMPO 303
Songwriting Projects
|
(P) CMPO 203 | 20 | |
|
CMPO 305
Topic in Composition / Sonic Arts
|
(P) Two courses from CMPO 201- 289 | 20 | |
|
CMPO 310
Electronic Music Projects
|
(P) CMPO 210 | 20 | |
|
CMPO 332
Composing/Arranging for Large Ensembles (Classical/Jazz)
|
(P) One of CMPO 230-235; (X) CMPO 330, 335 | 20 | |
|
CMPO 385
Digital Music and Interfaces
|
(P) one of (CMPO 285, COMP 200–299, SWEN 200–299) | 20 | |
|
CMPO 386
Audio Post-Production and Recording for Film
|
(P) CMPO 286 or by portfolio | 20 | |
|
CMPO 387
Advanced Audio Production
|
(P) CMPO 286 | 20 | |
|
FHSS 311
Directed Individual Study
|
20 | ||
|
MUSC 302
Music, Gender, and Sexuality / Ngā Puoro, ngā Tuakiri ā-ia me ngā Hōkakatanga
|
(P) 40 200-level points; (X) MUSC 202 | 20 | |
|
MUSC 329
Jazz, Race, Gender, Nation-State
|
(P) 20 points from MUSC 220-259; (X) MUSC 229 | 20 | |
|
MUSC 331
Topics in Instrumental Music
|
(P) 20 pts from MUSC 220-259; (X) MUSC 230 in 2024, 2026 | 20 | |
|
MUSC 343
Topic in Popular Music Studies
|
(P) 20 pts from MUSC 220–259, MDIA 205; X MUSC 349 in 2019-2023 | 20 | |
|
MUSC 345
Studies in 20th-21st-Century Music
|
(P) 20 pts from MUSC 220–259 | 20 | |
|
MUSC 347
Topic in New Zealand Music
|
(P) 20 pts from MUSC 220-259 | 20 | |
|
MUSC 349
Approaches to Popular Music
|
(P) 20 pts from MUSC 200-299, MDIA 205 | 20 | |
|
MUSC 351
Studies in Music and Dance of Oceania
|
(P) 40 200-level points or GLBL 201 | 20 | |
|
MUSC 372
Music Pedagogy
|
(P) 20 pts from MUSC 220-259 (X) MUSC 309 in 2020-2022 | 20 | |
|
PERF 301
Classical Performance Principal Study 3A
|
(P) PERF 201, 202; (X) PERF 330 | 20 | |
|
PERF 302
Classical Performance Principal Study 3B
|
(P) PERF 201, 202; (X) PERF 330 | 20 | |
|
PERF 305
Performance Skills 3A
|
(P) PERF 205 & 206, or audition; (X) PERF 322, 332-336 | 15 | |
|
PERF 306
Performance Skills 3B
|
(P) PERF 205 & 206, or audition; (X) PERF 322, 332-336 | 15 | |
|
PERF 308
Performance Extended Skills 3B
|
(P) PERF 211 & 212, or audition; (X) PERF 324 | 10 | |
|
PERF 311
Jazz Performance Principal Study 3A
|
(P) PERF 211, 212; (X) PERF 320 | 20 | |
|
PERF 312
Jazz Performance Principal Study 3B
|
(P) PERF 211, 212; (X) PERF 320 | 20 | |
|
PERF 366
Advanced Project in Performance 3B
|
(P) Audition | 20 | |
|
PERF 367
Advanced Project in Performance 3C
|
(P) Audition | 15 | |
|
PERF 368
Advanced Project in Performance 3D
|
(P) Audition | 15 |