Bachelor of Popular Music / Te Tohu Paetahi Pao o te Marea–BPM 360 points Qualification regulations
View qualification detailsEntry Requirements
A New Zealand university entrance qualification or equivalent.
General Requirements
1. (a) The personal course of study of a candidate for the BPM degree shall, except as provided in the Credit Transfer and Recognition of Prior Learning Policy, consist of courses from the schedule of any first degree of this university worth at least 360 points, of which at least 230 points shall be for courses from the BPM schedule, with a minimum of 75 points from courses numbered 300-399.
(b) Every personal course of study shall include:
i. CMPO 186, MUSC 120, POPM 101;
ii. MDIA 205; and
Major subject requirements
2. A candidate shall satisfy the requirements for at least one major subject selected from the list below. These requirements also apply when a major subject from the list below is included in another first degree. A candidate may present an additional major for the BPM by satisfying the major requirements as specified in the regulations for any other Bachelor's degree of this university.
Audio Production and Recording (AUPR)
(a) CMPO 185, CMPO 186, MUSC 120
(b) CMPO 286, one of (CMPO 210, CMPO 285), MDIA 205, one of (MUSC 247, MUSC 269)
Electronic Music (EMUS)
(a) CMPO 185, CMPO 186, MUSC 120
(b) CMPO 210, CMPO 285, MDIA 205, MUSC 269
Songwriting (SONG)
(a) CMPO 103, CMPO 104, CMPO 186
(b) CMPO 203, CMPO 204, one of (CMPO 210, CMPO 286); MDIA 205
(c) CMPO 303, one of (310, 387)
Popular Music Studies (POPS)
(a) CMPO 186, MUSC 120, 20 points from (MDIA 101, MDIA 103)
(b) MDIA 205, 60 points from (MUSC 202, MUSC 229, MUSC 247, MUSC 248, MUSC 249, MUSC 250, MUSC 269)
(c) MUSC 349 and 40 points from (MDIA 305, MUSC 302, MUSC 329, MUSC 343, MUSC 351, POLS 320)
Minor requirements
3. (a) A candidate may obtain a minor for the BPM degree in up to two undergraduate subject areas as described in section 3.7 in the General Programmes of Study Regulations or in part (b) below.
(b) The following minors must include the specific courses listed:
Audio Production and Recording (AUPR)—CMPO 286, one of (MUSC 247, MUSC 269), at least 35 further points from (CMPO 210, CMPO 285, CMPO 386, CMPO 387), including at least 15 points at 300 level.
Electronic Music (EMUS)—CMPO 210, CMPO 285, MUSC 269, one of (CMPO 310, CMPO 385)
Songwriting (SONG)—CMPO 203, one of (CMPO 210, CMPO 286), CMPO 303, one of 310 or 387
Popular Music Studies (POPS)—at least 60 points from (MUSC 202, MUSC 247, MUSC 248, MUSC 249, MUSC 302, MUSC 343, MUSC 349, MDIA 205, MDIA 305), including at least 15 points at 300 level.
Note: Students taking the POPS minor as part of a degree other than the Bachelor of Popular Music Studies are required to take MDIA 205 as part of the 60 points.
Conjoint requirements
4. The overall course of study for a candidate for a conjoint programme involving the Bachelor of Popular Music and another Victoria degree shall satisfy the requirements of sections 1 and 2 of these regulations and the Conjoint Degrees Regulations.
Courses
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 103
Songwriting
|
(P) portfolio of 2 original songs | 15 | |
|
CMPO 104
Songwriting Fundamentals
|
(P) portfolio | 20 | |
|
CMPO 185
Digital Music Foundations
|
15 | ||
|
CMPO 186
Audio Production and Music Technology Foundations
|
15 | ||
|
MDIA 101
Making Sense of Media
|
20 | ||
|
MDIA 103
Popular Media Culture
|
20 | ||
|
MUSC 120
Popular Music: An Introduction
|
20 | ||
|
POPM 101
Popular Music: Creativity, Identity, Innovation
|
20 |
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 203
Songwriting as Composition
|
(P) CMPO 103 | 20 | |
|
CMPO 204
Songwriting for Industry
|
(P) one of CMPO 100–109, or entry by portfolio | 20 | |
|
CMPO 210
Electronic Music and Sound Design
|
(P) One of CMPO 101, 186, or entry by portfolio | 15 | |
|
CMPO 285
Digital Music and Interaction
|
(P) CMPO 185 | 15 | |
|
CMPO 286
Audio Production and Recording
|
(P) CMPO 186 | 15 | |
|
MDIA 205
Popular Music Studies
|
(P) 20 pts from (MDIA 100-109, MUSC 105-150, POPM 101) | 20 | |
|
MUSC 202
Music, Gender, and Sexuality / Ngā Puoro, ngā Tuakiri ā-ia me ngā Hōkakatanga
|
(P) 40 pts; (X) MUSC 302 | 20 | |
|
MUSC 229
Jazz, Race, Gender, and the Nation-State
|
(P) 20 pts from MUSC 105–150; or GLBL 101; (X) MUSC 329 | 20 | |
|
MUSC 247
Film Music
|
(P) 40 pts | 20 | |
|
MUSC 248
Popular Music Perspectives
|
(P) 40 pts | 20 | |
|
MUSC 269
Encountering Sound: Analysis, Critique and Theories of Aural Experience
|
(P) at least 15 100-level pts | 20 |
| Course | Requisites Prerequisites (P), Corequisites(C), Restrictions (X), Double labelling (D) | Points | |
|---|---|---|---|
|
CMPO 303
Songwriting Projects
|
(P) CMPO 203 | 20 | |
|
CMPO 310
Electronic Music Projects
|
(P) CMPO 210 | 20 | |
|
CMPO 385
Digital Music and Interfaces
|
(P) one of (CMPO 285, COMP 200–299, SWEN 200–299) | 20 | |
|
CMPO 386
Audio Post-Production and Recording for Film
|
(P) CMPO 286 or by portfolio | 20 | |
|
CMPO 387
Advanced Audio Production
|
(P) CMPO 286 | 20 | |
|
MDIA 305
A Social History of Popular Music
|
(P) 40 pts from (MDIA 200–299, MUSC 200-259) | 20 | |
|
MUSC 302
Music, Gender, and Sexuality / Ngā Puoro, ngā Tuakiri ā-ia me ngā Hōkakatanga
|
(P) 40 200-level points; (X) MUSC 202 | 20 | |
|
MUSC 343
Topic in Popular Music Studies
|
(P) 20 pts from MUSC 220–259, MDIA 205; X MUSC 349 in 2019-2023 | 20 | |
|
MUSC 349
Approaches to Popular Music
|
(P) 20 pts from MUSC 200-299, MDIA 205 | 20 | |
|
MUSC 351
Studies in Music and Dance of Oceania
|
(P) 40 200-level points or EHUM 201 or GLBL 201 | 20 | |
|
POLS 320
Politics and Music / Te Tōrangapū me te Puoro
|
(P) 40 pts from INTP 200–299, MDIA 205, MUSC 200–259, POLS 200–299; (X) POLS 365 in 2020–2024 | 20 | |
|
POPM 301
Popular Music Projects
|
(P) two of (CMPO 203, 210, 285, 286) or two of (MUSC 229, 247, 248, 249, 269) | 20 |